Anti-Icon: Apokalypsis

ANTI-ICON /ænti-ī kän/ 1. the transgressor or antagonist of veneration and obedience; 2. the subversion of a figure or representation widely admired for having great influence or significance in a particular sphere, often regarded as holy and worthy of worship; 3. a representation of both the beginning and the end, prophesied as an omen of rebirth associated with the apocalypse.

APOKALYPSIS / from Greek apokálypsis “revelation,” equivalent to apokalýp(tein) “to uncover, reveal” (apo- “away, off, apart” + kalýptein “to cover, conceal”)

What does it mean to be an icon and who, or what, becomes iconic? Icons carry authority, in their highly symbolic and instant recognisability. The new, landmark series Anti-Icon: Apokalypsis, by acclaimed photographer Martine Gutierrez, refuses ready understandings of identity, gender, and culture. Across seventeen self-portraits, Gutierrez embodies a pantheon of legendary figures – all female or feminized – from across the world’s legends, histories, and myths. Her re-imaginings of such endlessly reproduced figures reference the long visual lineages in which these images circulate – from traditional iconography and Renaissance painting to contemporary fashion editorials and pop media – while offering an interpretation that challenges all these depictions. Through the “anti-icon”, Gutierrez stretches the malleability of the self, and of the social imagination that shapes it.

As Gutierrez states: “In the progress of nihilism, creation becomes resistance; a new image of what the world was all along.”

Opening Celebration on Thursday, July 11

Martine Gutierrez in Conversation with Curator Elliott Ramsey on Friday, July 12

Martine Gutierrez (b. 1989) is a transdisciplinary artist, performing, writing, composing and directing elaborate narrative scenes to subvert pop-cultural tropes in the exploration of identity – both personally and collectively intersectional to the cultural boundaries of race, gender, class and nationality. Her work has been shown internationally, and is held in major public and private collections across the United States and abroad. Gutierrez received her BFA from the Rhode Island School of Design in 2012. She is also a published musician and has produced several commercial videos. Gutierrez lives and works in New York.

Learn More

New York Times: A Shape-Shifting Woman Plays All the Parts

The Cut: Martine’s Latest Performance? Hollywood Actor

The Polygon Gallery presents Martine Gutierrez’s ANTI-ICON: APOKALYPSIS

Content advisory: This exhibition contains nudity

Anti-Icon: Apokalypsis is Curated by Elliott Ramsey

Generously supported by
The Houssian Foundation
Jeffrey Boone and David Wong
Scott Graham
Kevin Hisko
Jane Irwin and Ross Hill
Iain Mant
Ron Francis Regan
Bruce Munro Wright, OBC
Anonymous

Community Partners
Bangtown Hair Saloon
Field Trip Hair Co
North Shore Pride Alliance

Media Partner

Banner image: Martine Gutierrez, Maria from ANTI-ICON: APOKALYPSIS, 2021. Tia Collection, Santa Fe, New Mexico, USA

Martine Gutierrez - Maria
Martine Gutierrez, Maria from ANTI-ICON APOKALYPSIS, 2021. Tia Collection, Santa Fe, New Mexico, USA
Martine Gutierrez - Cleopatra
Martine Gutierrez, Cleopatra from ANTI-ICON: APOKALYPSIS , 2021. Courtesy the artist; RYAN LEE, New York; Fraenkel Gallery, San Francisco; and Josh Lilley, London
Martine Gutierrez - Ardhanarishvara
Martine Gutierrez, Ardhanarishvara from ANTI-ICON APOCALYPSIS, 2021. Tia Collection, Santa Fe, New Mexico, USA
Martine Gutierrez - La Madonna
Martine Gutierrez, La Madonna from ANTI-ICON APOKALYPSIS, 2021. Courtesy the artist; RYAN LEE, New York; Fraenkel Gallery, San Francisco; and Josh Lilley, London

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