The Polygon Gallery presents Interior Infinite, a celebration of radical togetherness and unique self-expression
Timely exhibition brings together an international group of artists, including Nick Cave, Dana Claxton, Zadie Xa, Carrie Mae Weems, and more
MAY 20, 2021 (VANCOUVER, BC) — The Polygon Gallery presents Interior Infinite, on view from June 25 to September 5, 2021. Marking the first feature exhibition curated by The Polygon’s Curator Justin Ramsey, the group show explores carnivalesque expression as an act of resistance against the status quo. Interior Infinite features a group of 15 international artists whose works span photography, video, performance, and sculpture, including Nick Cave, Dana Claxton, Zanele Muholi, Aïda Muluneh, Skeena Reece, Yinka Shonibare CBE, Sin Wai Kin, Carrie Mae Weems, and Zadie Xa.
“Whether through social media feeds or identity politics, we are constantly told that the ‘self’ is a true, immutable thing — this is a vast oversimplification,” says Ramsey. “Every single person is a work in progress, with the potential and the courage to change and be changed. Interior Infinite speaks to the capacity for an individual to break free of normative limitations that are defined by a white supremacist, male chauvinistic, heteronormative lens. The exhibition draws attention to the fact that these so-called norms are far from the lived experiences of many people, and that ‘the way things are’ can change with social imagination. We have collectively imagined our present injustices into being; we can just as easily imagine a better, fairer, more inclusive way forward.”
Interior Infinite takes its title from Russian philosopher Mikhail Bakhtin’s Rabelais and His World, which analyzed the power of folk traditions such as Carnival and the grotesque as methods of subversion through humour and chaos. These expressions tap into the full depth and dynamism of an individual, and serve as acts of resistance to erasure and refusal to be contained. Ramsey weaves together folk traditions with contemporary notions of play, costume, and performance to reveal the dynamic, subversive, and endless ways individuals express race, gender, and identity.
The exhibition features:
- A new sculpture by 2020 Phillip B. Lind Emerging Artist Prize runner up Lacie Burning (b. 1992, Brampton, ON) in the Reflection Series, depicting a cloaked figure wearing a mask made of mosaicked mirror fragments
- An original sound piece consisting of birdsong cut into Morse code, as an expansion of Charles Campbell’s (b. 1970, Kingston, Jamaica) Actor Boy performance series
- A soundsuit and video from acclaimed sculptor, dancer, and performance artist Nick Cave (b. 1959, Fulton, Missouri)
- A portrait by 2020 Governor General’s Award in Visual and Media Arts recipient Dana Claxton (b. 1959, Yorkton, SK), featuring the artist wearing her collection of handmade leather handbags created by Indigenous artisans
- A selection of photographs from Martine Gutierrez’s (b. 1989, Berkeley, California) self-made satirical fashion magazine Indigenous Woman
- An installation centred on the obscure, feminist Greek goddess Baubo by contemporary artist Kris Lemsalu (b. 1985, Tallin, Estonia)
- Avant-garde self-portraits by New Generations Photography Award winner Meryl McMaster (b. 1988, Ottawa, ON) that visualise personal history and hybrid identities
- Photographic murals by Zanele Muholi (b. 1972, Umlazi, South Africa) that investigate her identity as a queer, Black, female South African artist
- Imaginative, speculative images by Aïda Muluneh (b. 1974, Addis Ababa, Ethiopia), a leading African photographer featured in the Nobel Peace Prize exhibition in 2020
- Early documentary photographs by Zak Ové (b. 1966, London, United Kingdom), a multidisciplinary artist based in the UK and Trinidad
- A new commissioned series by Skeena Reece (b. 1974, Prince Rupert, BC) that merges performance, photography, and sculpture in a reflection on contemporary Indigeneity
- Yinka Shonibare’s (b. 1962, London, United Kingdom) film Un Ballo in Maschera (2004), featuring silent choreographed performances that speak to representation and mis-representation
- A theatrical two-channel video installation by London-based Canadian drag performance artist Sin Wai Kin (b. 1991, Toronto, ON)
- A triptych of self-portraits by trailblazing American artist Carrie Mae Weems (b. 1953, Portland, Oregon), the first African American woman to have a solo exhibition at the Guggenheim Museum
- A film that draws from and reimagines the ancient shamanic traditions of Korea by London-based, North Shore-born artist Zadie Xa (b. 1983, Vancouver, BC)
Ancillary programming includes:
- New commissions by Romi Kim, of the all-Asian drag community House of Rice
- An original written response to the exhibition by Vancouver curator Nya Lewis
- Podcast episodes with artists from the exhibition in conversation
In-person programming to be announced on The Polygon’s website and social channels, pending the latest COVID-19 provincial health orders.
This presentation is part of The Polygon Gallery’s exhibition series New Perspectives: revealing diverse perspectives, untold stories, and new voices in visual art.
Interior Infinite is generously supported by Henning & Brigitte Freybe, and Paula Palyga & David Demers, through their Founding Membership in The Polygon’s new Curator’s Circle; and Leonardo Lara & Michael Prout, and Terrence & Lisa Turner, through their Membership in the Exhibition Circle.
COVID-19 safety protocols
The Polygon has put in place preventative measures to reduce the spread of COVID-19. All exhibitions are planned in accordance with the Provincial Health Officer’s most recent order, including capacity restrictions, social distancing, mandatory mask wearing, and sanitization of high-frequency touch points. No appointments are required to view Interior Infinite.
About The Polygon Gallery
The Polygon is one of Canada’s most acclaimed photography and media art galleries. The Gallery moved into its Governor General’s Medal-winning building in 2017 after operating as Presentation House Gallery for 40 years. The organization has presented more than 300 exhibitions and earned a reputation as one of Canada’s most adventurous public art institutions. Admission is by donation, courtesy of BMO Financial Group.
Wednesday, 10am–5pm; Thursday, 10am–8pm; Friday–Sunday, 10am–5pm
101 Carrie Cates Court, North Vancouver | Territories of the Skwxwú7mesh (Squamish), səl̓ilwətaɁɬ (Tsleil-Waututh), and xwməθkwəýəm (Musqueam) Nations
604 440 0791
Banner Image: Nick Cave, Blot, 2012, video still. © Nick Cave. Courtesy of the artist and Jack Shainman Gallery, New York.